The Destructive Power of the Media Essay -- Argumentative Persuasive T

The Destructive Power of the Media   â â I have the most cute little cousin named Alexandra, whom I love with my entire being. One day I was extremely upset when she revealed to me that she was fat. She was 4 years of age at that point. I was dazed and had no clue about what to state to her, so I just disclosed to her that she is a sound young lady and that she needs to not to stress over that. I attempted to consider where she would think of this idea, and sooner or later I recalled a discussion that her mom and I had. We were discussing how pleasant it was the point at which we were more youthful and we didn't need to work at being slim. Her mom said something regarding being fat and Alexandra probably been tuning in. This made me consider how I came to act naturally cognizant about my body. I reached the resolution that it is simply something that each lady needs to experience in any event one time in her life. Be that as it may, why, would could it be that makes each lady need the ideal body? I considered this inquiry for some time, yet I was confused. Soon thereafter I started to peruse the Cosmopolitan and I started focusing on the ads in this famous lady's magazine; I was interested at the edge the promoters use to attempt to get ladies to purchase their item. One notice was for a mixed beverage called Tequiza. The ad thought about the calories and the fat substance of that drink to the calories and fat substance in another well known mixed refreshment. I am under age, yet I am an understudy so I won't untruth and state that I don't drink every so often, yet when I do drink I don't stress over how much fat or what number of calories I am taking in. To me this promotion was totally strange and as opposed to making me need to purchase the item I have now pledged... ... by giving us how cheerful it will make us. They shape our way of life by revealing to us that we need to be hitched on the grounds that the individuals commercials are and they are unbelievably upbeat. They likewise shape our way of life by setting the standard for the manner in which we look. All ladies at one point in their life are hesitant in light of the fact that they don't resemble the models in promotions. Promotions are the motivation behind why ladies fixate on their weight and the manner in which they look. I don't think about the vast majority, however I do realize that I would prefer not to face a daily reality such that promotions mention to me what I need or how I should look.   Works Cited  Super Bowl Clutter. Editor and Publisher. Vol. 127, Issue 6 (1994): 6. Signorielli, Nancy and Douglas McLeod. Sexual orientation Stereotypes in MTV Commercials: The Beat Goes On. Journal of Broadcasting and Electronic Media. Vol. 38, Issue 1 (1994): 91.

Dr.Jack Kevorkian

â€Å"Dr. Death† Dr. Jack Kevorkian Dr. Jack Kevorkian was known as â€Å"Dr. Death† since at any rate 1956, when he led an examination shooting patients' eyes as they passed on. Results set up that veins in the cornea contract and become imperceptible as the heart quits thumping. Furthermore, he made a great deal of different approaches to make individuals like impaired or any individual who experience the ill effects of anything in his life to murder himself, he professes to have helped in any event 130 patients with that in mind, and he broadly said that â€Å"dying isn't a crime†. Individuals and the legislature couldn't help contradicting Dr. Kevorkian’s conduct for some few reasons. First his not a divine being to control the demise of individuals to cause them not to feel torment and not to confront their maladies and obliterate them , he resembles telling individuals that life does not merit living for and issues won't be understood aside from with death. In September of 1998 he recorded the passing of Thomas Youk; the tape was communicated by CBS television'sâ 60 Minutesâ in November, what an unfeeling thing to tape? The demise of man and communicate it on live T. V. This man made a many families hopeless with his innovation â€Å"Mercitron† (benevolence machine). In the event that he is choosing for individuals climate to live beyond words acting on the off chance that u don’t feel torment, at that point live, if u experience passing it will be a lot of supportive and agreeable. At that point what is the significance of god, I thought he was the person who realizes who will kick the bucket and when, and can make the entirety of the individuals of earth bite the dust in one second and live in one second. There are just a couple of situations where somebody is permitted to end a real existence and even these cases are not settled upon. These cases could be in self preservation or in the event that somebody is gravely harmed or wiped out and there is no clinical consideration that could support him and living on in any event, for brief will cause enduring past creative mind. Be that as it may, there has never been where some loco specialist needs to test demise on other and individuals concurred with him. This must imply this is one wiped out individual and nobody concurs with him since it isn't human. Thank divine force obviously that the U. S. Preeminent Court decided that Americans who need to execute themselves yet are genuinely incapable to have no protected option to take their lives. Kevorkian was condemned to 10-25 years in jail, however was paroled in 2007, in bombing wellbeing and approaching his own passing by the request for god not by a machine.

The Importance of Having Friends

The Importance of Having Friends Once upon a time, a lonely hawk lived on a tree by the riverside. He was young and handsome but he had no friends.One day, he saw a beautiful she-hawk sitting on a tree and wanted to marry her but the she-hawk refused to marry him, as he had no friends.“Will you marry me if I make three friends?” he asked. She said that she definitely would. The hawk then went looking for friends. While flying on the other bank of the river, he saw a huge tortoise. The hawk flew down to him and said, “Dear tortoise, will you be my friend and help me in my hour of need?” The tortoise agreed to become his friend and said, “Call me whenever you need me and I shall come to your side.”The hawk also promised him his help at any time and then flew in search of the second friend. Soon, he came upon an osprey. The hawk went to it and asked her if she would be his friend and help him in time of his need. The osprey very gladly accepted his friendship and offered her help whenever he needed it.The hawk was glad that he had made two friends.He went on searching for a third friend. He flew over the jungle and saw a tiger. Fearless as he was, he went near the tiger and requested him to be his friend. The tiger readily accepted his friendship and said, “From now onwards, I am your friend. Nobody will harm you. If anyone tries to harm you, call me and I will be there to help you.”The hawk was very happy. He thanked the tiger, flew back to the she-hawk and said, “I have made three friends, a tortoise, an osprey and a tiger. Will you marry me now?”The she-hawk agreed to marry him. Soon, their marriage took place. The three friends attended the hawk’s marriage.After some-months, she-hawk gave birth to two baby hawks. The parent hawks were very happy to have cute little babies. They lived happily in their nest.One day, two hunters came and sat under that tree. They were tired and hungry. They had not been able to hunt any animal. They decided to catch some fish. But, they c ouldn’t catch even a single fish.It was getting dark and the hunters decided to spend the night under that tree. To keep themselves warm, they lit a fire. The fire soared high. The hawk-babies on the tree could not bear the heat and the smoke coming out of the fire. They started crying. The Hunters heard their cries. One of them said, ”There are birds on this tree. Let us catch them. We shall roast them on the fire and eat them.” The other one agreed.The hawks heard them and were really worried about the safety of their babies. The she-hawk suggested that they seek help from their friends. The hawk went to the osprey and told her his problem. The osprey said, “Go home and protect your babies. I shall tackle with the hunters.”The osprey dived into the river and then flew over the fire. The water from her wet feathers fell on the fire. She repeatedly dived into the river and flew over the fire. The water from her feathers put off the fire.The hunters decided to light the fir e again; however, as soon as they lit the fire, again the osprey put it off.In the meantime, the hawk went to get help from the tortoise. When the tortoise heard about the hawk’s problem, he said to him, “Do not worry dear friend, I will be there in no time and tackle the hunters in my own way. Go and protect your family.”The hawk flew to the tree and the tortoise reached the tree. He went quite close to where the hunters were sitting and trying to light the fire again. The hunters saw the tortoise and one of them said, “Look there is a huge tortoise. Let’s forget about the hawks and catch this tortoise.”The other hunter agreed and said, “Let’s tear our shirts and make a rope. We shall tie its one end to the tortoise and other to our waists. Then we will pull the tortoise with all our strength.” The other hunter liked the idea. Soon, they make a rope out of their shirts. They tied one end of the rope to the tortoise’s legs. Then, trying the other end to their wai st, they could not pull the tortoise. The tortoise’s strength was much greater than the two hunters were together.The tortoise pulled the two men into the water. Once, inside the water, it was very easy for the tortoise to drag them. With great efforts, they cut the rope that was tied to their waist and swam back to the bank. They were now feeling very cold. They had lost their shirts. They thought of making a fire again.Seeing them collecting leaves and twigs, the hawk was worried again. He flew to the forest and called his third friend, the tiger. He found the tiger at the edge of the forest. When the tiger heard the hawk’s problem, he immediately rushed towards the riverbank.The hunter had now lighted the fire and one of them was preparing to climb the tree to get the hawk babies. Just then, the tiger reached the tree. Seeing the tiger, the hunters ran from there and never came back again.The hawk thanked all his three friends for their kind and timely help. He also realized that it is very important to have at least a few friends. The female-hawk was very wise in advising the hawk to make friends before marrying him.Author Unknown

The Effects of Sir Thomas Malory’s Life and Culture on...

The Effects of Sir Thomas Malory’s Life and Culture on the Arthurian Legends In many cases, authors write books in order to comment on the culture they live in. In addition, the personal life experiences of the author are also expressed in the work. In the case of the Arthurian Legends, the major contributor was Sir Thomas Malory, who lived from 1405 to 1471 (Abrams, 420). The first section of this paper will examine why Sir Thomas Malory should be considered the greatest contributor to the Arthurian Legends. The second section of this paper will examine many themes expressed in Malory’s work, Morte Darthur, such as courtly love, brotherly love, chivalry, magic, and resolution, showing how the culture and personal life of Sir†¦show more content†¦In order to study the work of Sir Thomas Malory in depth, it is essential to comment on the major themes of his work and draw comparisons from his life and the culture in which he lived in order to examine why he worked to produce the first complete English version of the Arthurian legends. One of the major themes of Morte Darthur was courtly love. The major influence in the subject, from what is known about Sir Thomas Malory’s personal life, was the fact that he was a knight in Warwickshire, England (Abrams, 420). This is important to the subject of courtly love because most of the stories written in the genre dealt with the nobility or people in the upper classes of society. This connection to his personal life would obviously attract him to the theme for his work because he could draw from his knowledge of the noble classes. In addition to the similarities found between courtly love and Sir Thomas Malory’s personal life, the element of courtly love was a popular theme during the middle ages. At the time of his life (15th C.) it would be hard to imagine that a person of noble class would not be familiar with the element of courtly love in the literature of the time. Indeed, the very strong element of courtly love in Morte Darthur, particularly in the relationship between Lancelot and Guinevere, would be considered a major coincidence without priorShow MoreRelated King Arthur Essay1428 Words   |  6 Pagessuch, the character of Arthur is different depending on the era, culture, and the particular writer who is relating his version of the Arthurian legend. Three Kinds of Arthur There is much debate whether Arthur was an actual historical person. There is no absolute evidence, but it is possible that Arthur was a Briton or Romano-Briton king who led the Celts against the Anglo-Saxons in the early 8th century (Americana, Arthurian Romances, 1972). The kings of the medieval period were warlordsRead MoreHistory of British Literature3343 Words   |  14 Pagescrisis. The decline in agriculture together with the rise in the population resulted in frequent famines and helped the spread during the 14th c. of the â€Å"Black Death†. 1381 – The Peasants’ Revolt. Culture: by 15th century England had become a nation with the sense of separate identity and indigenous culture 1362- English became the official language in court and was also used in schools. 14thc. witnessed the first original literary works written in English. Middle English literature English literatureRead MoreThe Fiction of Literature: Folk Tales, Fan Fiction, and Oral Tradition in the Internet Age2388 Words   |  10 Pagesfallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic to the level of romantic fairy-story†¦ The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.† With the benefit of hindsight, we know now that his idea was not ‘absurd’. Tolkien almost presciently describes the place his novels have taken in Western culture. Tolkien’s works, in the words of Tolkien scholar Tom Shippey

Travel Abroad For Long Periods Of Time While Working

Meta description: Freelancers are able to travel abroad for long periods of time while working their current jobs. But there are things you will need to know about working while traveling. Here are some of the most vital international travel tips for any freelancer embarking on a trip. One of the joys about freelancing is the freedom that you have to travel. Whether it’s just for a few weeks or a trip lasting six months, there are several travel tips that you need to keep in mind. Manage Your Finances Money is something you don’t really want to worry about, but as a freelancer you can’t help it, especially while traveling. Do yourself a favor and manage it before you leave to keep your headaches to a minimum. Joyce Grace from the Manage WP Blog advises that you turn off all monthly services — such as Netflix or Hulu — that you won’t be using while on the road. Call your mobile provider and ask them to give you an international plan — and make sure you tell them where you’re headed, because they can freeze your account if they think your phone has been stolen. Also be sure to tell your bank and Paypal that you are traveling abroad, and check in if your plans change. Having your bank accounts frozen while traveling is a horrifying experience that no one wants to go through, so continually keep them up-to-date as you travel. 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Sociological Views on Gender Selection - 1446 Words

There are two major issues related to gender selection. One leaning towards the medical risks and consequences. As with all surgical procedures, removing and altering a chromosome has detrimental risks. ANY alteration when it comes to DNA and genes can instigate horrific physical and biological deformations in a fetus. Worldwide studies have proved the increase of birth defects on babies born after â€Å"Chromosomal Manipulation.† The second and most detrimental towards society is possible sex ratio imbalances in the future (like we already have in China and India.) When focusing on the sex-selected offspring growing into an adult and developmental concerns, they face psychological harm. Psychological egoism fuels many decisions to†¦show more content†¦For instance, a woman who is a carrier for X-linked hemophilia or Tay-Sachs disease may want to have a child and not undergo the tentative pregnancy associated with amniocentesis or chorionic villi sampling. There fore, she could have fertilization with her partner done in vitro, and have only the XX embryos implanted. Since these diseases are recessive, the girls should not have the disease (although they will have a 50% chance of being carriers themselves). There are genetic diseases that the male gender is more prone to than female, such as hemophilia (life threatening and debilitating spontaneous bleeding), Duchenne Muscular Dystrophy (the most common and severe form of the muscular dystrophies), and Lesch-Nyhan syndrome (self-mutilation.) In this case, medically speaking, this procedure could actually be a blessing for a couple who is terrified to bring a child into this world knowing the high possibility of having mental or physical deformities. This is where the â€Å"grey area† starts. 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The Boston Photographs free essay sample

The Boston Photographs Stanley Foreman, a journalist for the Boston Herald American, captured three famous photographs of a fire rescue case which reminded me of my grandmothers tragedy, displayed the themes of tragedy and anger, parallels to the movie World Trade Center, and aligns with my opinion that Foreman published the photographs rightfully. Foreman snapped the camera thinking to take heroic shots of a brave fireman successfully rescuing a woman and a child. Little did he know, he would capture the collapse of final hope as a woman fell into the gateway to death. A fire immersed a Boston building in the 1930s. A fireman desperately attempted to save a woman and a child from the inferno, and almost came to success. However, the fire escape the three stood upon crumbled from the arm of the building just before the fireman could hoist them onto the ladder of the firetruck. The fireman managed to jump to safety onto the ladder as the ledge broke. Unfortunately, the woman could not cling tightly enough to the fireman, therefore, her and the child dropped stories high onto the solid ground. The woman died immediately from impact, but the child fell onto the cushion of her corpse and managed to survive. The treacherous scene showed on three photographs and became published in over four hundred newspapers across America. Understandably, this raised controversy as the public fired back with complaints of the gory pictures. Some argued that it contributed in, â€Å"Invading the privacy of death,† while others said it took responsibility in â€Å"Assigning the agony of a human being in terror of imminent death to the status of a side-show act† (Ephron, 658). Ephron states her opinion in this essay saying, â€Å"Death happens to be one of lifes main events. And it is irresponsible—and more than that, inaccurate—for newspapers to fail to show it † (Ephron, 662). This essay brought me back to my youth with replaying images of what I imagined the scene of my grandmothers death to look like. Honestly, it fell nothing short of a horror story, especially through the eyes of a muddled, vernal nine year old. I will not go in detail regarding the exact scene, for I find it inappropriately morbid, but I feel willingly to introduce a small, surfaced outline. A fire swallowed her house, eating from the core and dispersing to the edges like a rotting apple. She lay in mid afternoon nap when awakened from the smoky air, but the fire had managed to block almost every exit. She made her way to the only door not already inflamed, but it she could not get it open. The story does not end here, but this sums up all I feel the need to tell. The casket remained closed at the funeral, so I never saw her body again. She rested at age fifty-seven, too young to leave, and too beautiful to have her body disintegrated into ashes. Why did it have to happen like that? Nine years old and having to trust in God for strength proves a hard and strange thing to do, but a life lesson some never learn, and one I would need for the journey on. Ephron wrote this essay to bring forth the readers inner emotions as well as to show the emotion felt by the characters in the story. The themes of tragedy and anger serve as two of the major themes of the essay. The bravery and hope shown to us at the beginning of the story help accent these themes. The author gives us these points to push a sense of reality into the readers, and to present a real event as well as its repercussions. Bravery showed from the fireman who risked his live to save these people. Hope came from the woman and child trapped inside fighting with optimistic longing to make it through. Tragedy and devastation overcame as the story twisted from what looked a promising victory to a deadly reality. The pictures then became published and taken offensively by readers bringing on a strong feeling of anger. The subject of reality also carries through in this essay. It pictures as quite melancholy, and therefore brings its readers to awareness of a true story with thoughts and opinions of witnesses of the scene and readers of the numerous articles of the event. This event has parallels to the events of September 11, 2001, which has been demonstrated to us through the movie World Trade Center. The movie begins by showing the attacks of the buildings and the violence it brought to those inside. It focuses in on the firemen risking their lives to save the victims, however, as the second building crashes upon them, they become ictims themselves. The firemen demonstrate the similarities of bravery and hope to make it out of the fallen building alive, and the movie as a whole brings its viewers to the tragic reality, just as The Boston Photographs does. Personally, I felt moved by the twisted feelings and solid impact of the essay. It made me have to stop to process my thoughts, because I could not believe what I read. It hit me hard with horror and disbelief. I like essays like this that bring us to a since of reality, for I feel as if they are hardly told. Most stories today become glamorized by positive attributes as dark grueling details are masked away leaving us with what our minds desire to believe instead of the harsh truth. Joy and promise turn to need and tribulation instantaneously in reality, which this essay highlights. The catastrophic story of the photographs taken of the sudden death of a woman hit me hard with a flashback of my grandmothers death and also showed the predicament of the firefighters in World Trade Center, as both of these brought the themes of tragedy and anger to the story and farther pushed my opinion that the pictures became rightly publicized. The essay exhibits sensibility and brings the readers to actuality, therefore, I feel it may stand out to readers over other essays. Real stories like this have the ability to teach us something valuable and hit our life experiences bringing a strong impact of emotion to our thoughts, which is why I feel the pictures should have been publicized. Although it displayed a horrific accident, the scene rightfully deserved telling.

Victorian poetry Essay Example For Students

Victorian poetry Essay The Conventional Plots For one thing, the Victorian novel continues to be largely in the Fielding tradition. The plot is generally loose and ill-constructed. The main outline of the Victorian novel is the same. The story consists of a large variety of characters and incidents clustering round the figure of the hero. These characters and incidents are connected together rather loosely by an intrigue, and the ending is with ringing of wedding bells. Secondly, the Victorian novel makes an extraordinary mixture of sentiment, flashy melodrama and lifeless characters. There is much that is improbable and artificial in hereafter and incident. We will write a custom essay on Victorian poetry specifically for you for only $16.38 $13.9/page Order now Speaking generally, the Victorians fail to construct an organic plot in which every incident and character forms an integral part of the whole. Entertainment Value Still, the Victorian novel makes interesting reading. The novelists may not construct a compact plot, but they tell the story so well. They are so entertaining that children still love to read and enjoy a novel of Dickens or Thacker. The plot may be improbable, but there is enough suspense, and the readers attention is not allowed to slang even for a single moment. They do not like to give it up unfinished. Panoramic Nature The Victorian novelists may miss the heights and depths of human passion, there may be no probing of the human heart and no psycho-analysis-?we do get such probing in George Eliot-?as in the modern novel, but they cast their nets very wide. Novels alkalinity Fair, David Copperfield, etc. , are not, like most modern novels, concentrated wholly on the life and fortunes of a few principal characters; they also provide panoramas of whole societies. In the Victorian novel, A hundred different types and classes, persons and nationalities, Jostle each other across the shadow screen of our imagination. ?(David Cecil) Immense Variety The Victorian novelist is a man of varied moods. His range of mood is as wide as his range of subject. Just as he deals with all aspects of society, so also he renders human moods in all their manifold variety. He is not a specialist in any one mood or temper. The novelists of the age cannot be categorized. As David Cecil puts it, They write equally for th e train Journey and for all time; they crowd realism and fantasy, thrills and theories, knock-out farce and effects of pure aesthetic beauty, check by jowl on the same page; they are Mr.. Goalmouths and Mr.. Huxley and M Christie and Mr.. Woodlouse, all in one. A book like David Copperfield school boy hamper of fiction with sweets and sandwiches, pots of Jam Victoria greased paper caps, cream and nuts and glossy apples, all packed tog heterogeneous deliciousness. Creative Imagination Not only have the Victorian novelists width and range of subject and m are they entertaining story-tellers, they have also creative imagination measure. Their imagination works on their personal experiences and t transmutes them. Their renderings of the real world are not photograph pictures, colored by their individual idiosyncrasies, vivid and vital. O is fanciful and romantic. At other times, it sticks close to the facts of AC but these facts are always fired and colored by the writers individual creation is always performed. Dickens is, the romancer of London street Thacker, too, transports us to an entirely new world, call it vanity fair land or what you will. The creative imagination of the Victorian novelist setting of his story and transforms it. This creative imagination is also on the incidents or the stories of the Victorian writer. They linger long because they have been made dramatic and picturesque by the magi novelists. They abound in dramatic and picturesque scenes as in Vain As a picture is an invention of line and color, so are these, brilliant I scene and action. -?(David Cecil) Humor This creative imagination is also seen in the humor of the Victorian n of the great Victorian novelist is a humorist, and each is a humorist in own. They have created a number of immortal figures of fun, each com different way. There are hundreds of fine Jokes and witty remarks spree Victorianism. Mr.. Microware and Mrs.. Passer are immortal figures of f Characterization The most important expression of this creative imagination is to be SE important part of the novel, I. E. In the characterization. The Victorians make their characters live. Their characters may not always be real, the much in them that is improbable and false, but they are amazingly an alive. They are wonderfully energetic and vital. They are all individuals own existence, and lingering long in the memory once we have formed acquaintance with them. They act in their own characteristic way; they own tricks of speech, their own way of saying and doing things. A Victor crowd of breathing, crying, living, laughing people. It has a crowded ca with living, breathing individuals. Technical Weakness The Victorian novel lacks uniformity. It is extremely unequal; it is an e mixture of strength and weakness. It is technically faulty. This is so be in its infancy, it is still considered as a light entertainment, and not a s art, and the laws of its being, have not yet evolved. In this connection Cecil observes, Because it was in its first stage, it was bound to be etc It had not yet evolved its own laws; it was still bound to the convention stage and heroic romance from which it took its origin, with their artifact and stock situations and forced happy endings. Because it was looked TVA eight reading, its readers did not expect a high standard of craft nor if it had occasional lapses; especially as they themselves had no trade which to estimate it. On the other hand, they strongly objected to SP hours of light reading on themes that were distressing or put intellect them. One-sided View of Life Then again the Victorian prudery comes in the way of a free and Fran the animal side of life. In this respect, the Victorian novel shows a De from the earlier English novel. Any lapse from virtue is shrouded in a of, drawing the blinds and lowering the voice. Free and uninhabited the animal side is lacking. The Victorian novel gives only a partial, on life. Its Real Greatness For these reasons, the Victorian novelists cannot be ranked with the they have greatness in them. They have their imperfections. Their Pl improbable and melodramatic, their endings are conventional and t is loose. They do not have any high artistic standards. But their mere They are very entertaining, they can capture and hold the attention, creative imagination, and they have the incomparable gift of humor the qualities which only the great have. Its Two Phases The novel in the Victorian era is so abundant and prolific that it is us Victorian novelists into (a) Early Victorian Novelists, and (b) the Later Novelists. Writes Walter Allen in this connection, Thacker was boor 1811,Dickens in 1812, Trollope in 1815, Charlotte Bronze in 1816, Emil 1818,George Eliot in 1819. Mrs.. Seashell had been born in 1810, and born in the Regency period include Charles Reader (1814) and Charge Together, they are the names that first came to mind when we think novel. They do not form a coherent body; and Emily Bronze will prove all generalizations we care to make about the rest of them. Yet if we the chief novelists born in the generation after the Regency, Samuel Butler (1835), George Meredith (1828), Thomas Hardy (1840) and Hen shall see that they have much more in common with one another that the younger men. What they have in common is a special climate of feelings, a set of fundamental assumptions. It was this special climate assumptions, that the later novelists of the century were to question, great mass of the reading public still took them for granted. And HTH another main difference between the novelists of the first half of the and those of the second half. The former were at one with their pull remarkable degree; they were conditioned by it, as of course any novo UT for the most part were willingly conditioned by it. They identified their age and were its spokesmen. They may criticism their age as do Thacker, but on the whole they accept the prevalent customs and institutions. The later novelists, however, were writing in some sense age; they were critical, even hostile, to its dominant assumptions. The Victorian morality and the institution of marriage; Samuel Butler sac by flouting Victorian taboos and conventions, and Henry James went literary canons of the age by his advocacy of the novel as an art-form novels reflect the rationalism of the age. The relation of these novelists to the reading public was nearer to that of the twentieth-century novelists than to that of the early Victorians. The English Novel in the Age of Thomas Hardened we speak of the Victorian novel we do not mean that there was a conscious school of English novel, with a consciously common style and subject-matter, a school which began creating with the reign of Queen Victoria and which came to an end with the end of that reign. The English are too individualistic for such conformity. However, there can be no denying the fact that the English novel during the second half of the 19th entry, with the exception of one or two novelists, shows certain common characteristics. The purpose of the chapter is to deal with those characteristics and also to examine how far they are represented in the novels of Hardy. Adherence to the Fielding Tradition: Loose Plots the same. The story consists of a large variety of character and incident clustering round the figure of the hero. These characters and incidents are connected together rather loosely by an intrigue, ending with the ringing of wedding bells. Thacker follows, on the whole, this convention. A Mixture of Strength and Weakness Secondly, the Victorian novel is an extraordinary mixture of strength and weakness. There is too much of false sentiment, flashy melodrama and lifeless characters. There is much that is improbable and artificial in character and incident. Speaking generally, the Victorians fail to construct an organic plot, a plot in which every incident and character forms an integral part of the whole. Thackers plots, though much better constructed than those of Dickens, are still loose and theatrical. There is much superfluity even in Vanity Fair and much that is unconvincing anticlerical. Its Entertainment Value impact plot, but they tell the story so well. .u113139080182190338356fb8fef6ab7d , .u113139080182190338356fb8fef6ab7d .postImageUrl , .u113139080182190338356fb8fef6ab7d .centered-text-area { min-height: 80px; position: relative; } .u113139080182190338356fb8fef6ab7d , .u113139080182190338356fb8fef6ab7d:hover , .u113139080182190338356fb8fef6ab7d:visited , .u113139080182190338356fb8fef6ab7d:active { border:0!important; } .u113139080182190338356fb8fef6ab7d .clearfix:after { content: ""; display: table; clear: both; } .u113139080182190338356fb8fef6ab7d { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u113139080182190338356fb8fef6ab7d:active , .u113139080182190338356fb8fef6ab7d:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u113139080182190338356fb8fef6ab7d .centered-text-area { width: 100%; position: relative ; } .u113139080182190338356fb8fef6ab7d .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u113139080182190338356fb8fef6ab7d .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u113139080182190338356fb8fef6ab7d .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u113139080182190338356fb8fef6ab7d:hover .ctaButton { background-color: #34495E!important; } .u113139080182190338356fb8fef6ab7d .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u113139080182190338356fb8fef6ab7d .u113139080182190338356fb8fef6ab7d-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u113139080182190338356fb8fef6ab7d:after { content: ""; display: block; clear: both; } READ: Robert Burns: Poetic Analysis EssayThey are so entertaining, that children improbable, but there is enough of suspense, and the readers attention is not allowed to flag even for a single moment. They do not like to give it up unfinished. Its Panoramic Value may be no probing of the human heart and soul, and no psycho-analysis as in the modern novel, but they cast their nets very wide. Novels like Vanity Fair are not, like most modern novels, concentrated wholly on the life and fortunes of a few principal characters: they also provide panoramas of whole societies. Thus in Vanity Fair the action ranges from the city to the town, from London to Brighton, from England to France, Brussels, and other countries of Europe. A hundred different types and classes, persons and nationalities, Jostle each oilier across the shadow screen of our imagination. (David Cecil) Its Immense Variety novels reflect the rationalism oft public was nearer to that to the t Victorians. The English Novel In t the Victorian novel eve do not me novel. With a consciously comma creating with the reign of Queen that reign. The English are too in be no denying the fact that the E century. Tit the exception of on characteristics, The purpose of t also to examine how far they are the Fielding Tradition: Loose Plot For one thing, the Victorian novel plot is generally loose and ill-con the same. The story consists of a round the figure to the hero. The rather loosely by an intrigue, once follows, on the whole, this convey Secondly, the Victorian novel is a There is too much of fals e sentient is much that is improbable and Incident. Speaking generally. The which every Incident and chair plots, though much better consort theatrical There is much suppers unconvincing anticlerical. Its En Still, the Victorian novel makes In compact plot, but they tell the us till love to read and only a now improbable, hut there is enough allowed to flag even for a single The Victorian novelists may miss may be no probing of the human modern novel, but they cast their most modern novels. Concentrate characters: they also provide par action ranges from the city to the France, Brussels, and other count classes, persons and nationalities Imagination. (David Cecil) The Victorian novelist is a man of range of subject Just as he deals human moods in all their manifold temper. The novelists of the age cannot be categories write equally for the train Journey and for all time; t whirls and theories, knockabout farce and effects of by Jowl on the same page; they are Mr.. Goalmouths a Mrs.. Christie and Mr.. Woodlouse, all in one. A book vast schoolboy hamper of fiction : with sweets and s greased paper caps, cream and nuts and glossy app heterogeneous deliciousness. Imaginative Rendering Not only have the Victorian novelists width and rang are they entertaining story-tellers, they have also cry measure. Their imagination works on their personal transmutes them. Their renderings of the real world pictures, colored by their individual idiosyncrasies is fanciful and romantic. At other times, it sticks close UT these facts are always fired and colored by the creation is always performed. Dickens is, the aroma Thacker, too, transports us to an entirely new world land, or what you will. His creative imagination work transforms it. Dramatic and Picturesque This creative imagination is also seen at work on the advertorial writers. They linger long in the memory dramatic and picturesque by the imagination of the dramatic and picturesque scenes in Hardy. As a epic color, so are these brilliant inventions of scene and This creative imagination is also seen in the humor of the great Victorian novelist is a humorist, and each win. They have created a number of immortal figure different way. They are hundreds of fine Sock and WI over Advertorial novel. Characterization The most important expression of this creative image important part of the novel, I. E . , in the characteristic make their characters live. Their characters may not much in them that is improbable and false, but they alive. They are wonderfully energetic and vital. They own existence, and lingering long in the memory on acquaintance with them. They act in their own char own tricks of speech, their own way of saying and d crowd of breathing crying, living, laughing people. F crowded canvas, crowded with living, breathing India Standards The Victorian novel lacks uniformity. It is extremely mixture of strength and weakness. It is technically in its infancy, it is still considered as a light entertain art and the laws of its being have not yet evolved. In observes, Because it was in its first stage, it was bob not yet evolved its own laws; it was still bound to the conventions of the comic stage and heroic romance from which it took its origin, with their articulatenesss and stock situations and forced happy endings. Because it was looked on as light reading TTS readers did not expect a high standard of craft, nor did they mind if it had occasional lapses; especially as they themselves had no traditions of tastes by which to estimate it. On the other hand, they strongly objected to spending their hours of light reading on themes that were distressing or put intellectual strain on them. Lack of Liberalism Then again the Victorian prudery comes in the way of a free and frank treatment of the animal side of life. In this respect the Victorian novel shows a definite decline from the earlier English novel. Any lapse from virtue as that of little Emily in David Copperfield is shrouded in an atmosphere of, drawing the blinds and lowering the voice. Free and uninhibited treatment of sex is lacking. Beckys relationship with Lord Sterne is left ambiguous for this reason. Conclusion For these reasons, the Victorian novelists cannot be ranked wit the very greatest, yet they have greatness in them. They have their imperfections. Their plots are improbable and melodramatic, their endings arc conventional, and their construction is loose. They do not have any high artistic standards. But their merits also arc many. They are very entertaining, they can capture and hold the attention, they have retentive imagination, and they have incomparable gift of humor. And these are qualities which only the great have. The important women novelists of Victorian Age with special reference to George Ultracentrifugation: The Victorian era is known for the galaxy of female novelists that it threw up. They include Mrs.. Trollope, Mrs.. Gore, Mrs.. Marsh Mrs.. Bray, Mrs.. Henry Wood, Charlotte Young, Mrs.. Elephant, Mrs.. Lynn Lyndon, M. E. Brandon, Outdid, Rhoda Brought, Edna Loyal, and still many more now Justly forgotten, but the four most important women novelists, who yet are quite Charlotte Bronze (1816-1855) important, are : (I) Mile Bronze (1818-1848) (iii) Mrs.. Seashell (1810-1865) George Eliot (1819-1880) Mrs.. Seashell may need some special pleading for being included among the rank of the great women novelists of the Victorian era, but as for the rest, their place in theosophist of English literature appears to be secure enough. Of the four, the two first-named were sisters and their methods and achievements as novelists met at many planes. But each of the remaining two pursued her own line and made herself known in the field of English novel in her own particular way. After these preliminary marks, let us consider individually the work underachievement of the important women novelists of the Victorian era. Charlotte Bronze: The three Bronze sisters-Anne, Charlotte, and Emily-collectively known often as the stormy sisterhood, who took the England of their time by storm, were in actual life shy and isolated girls with rather uneventful lives. All of them died young and died of tuberculosis as their two other non-literary sisters did. They were daughters of a strict Irish person who made them lead a life of what Compton-Rickets calls, the sternest self-repression. But behind their outwardly ripples lives lurked tempest- tossed souls which found an outlet in their novels which are all so patently autobiographic. They poured their inner life into the mould of the novel. This consideration leads Hugh Walker to assert: The Bronzes belong to that class of writers whom it is impossible to understand except through the medium of biography. But too much of preoccupation with biography should not be allowed to lead us to a lopsided appreciation of their novels. Thus Samuel C. Chew observes : The three Bronze sisters have been overlaid with so much biography, criticism, and injectors that in reading about them there is danger lest their own books be left unread. Charlotte Bronze wrote the following four novels: (I) Vitiate Jane Rye Shirley The Professor The first two novels were based on her personal experiences at a Boardinghouse- house where she most probably fell in love with the Belgian scholar Hager who perfectly answered her conception of a dashing hero of the Byronic type. Her soul had always yearned for such a Illogical, but she being the daughter of a village parson, the men who made propos als to her actually were lackluster curates with one f whom she ultimately settled down in 1854-a year before her death. But she worshipped a dashing, splendid, masculine figure as Hager was. Her frustrated passion for him provides the groundwork of her first two novels. The heroine of her third novel is a governess, Just like her sister Anne. Her tempestuous love-affair with Rochester-a combination of wonderful nobility and meanness is the staple of this novel. In Shirley, to quote Leagues, she set a story of intimate emotion against a background of Yorkshire in the time of the industrial disturbances. Perhaps the elemental and unchaste presence of the Yorkshire moor among which the Bronzes lived is to some extent responsible for the fierce passions and elemental emotions which are characteristic of their works. Charlotte Bronze in her novels revolted against the traditions of Jane Austin, Dickens, and Thacker. Thackers Vanity Fair she praised in glowing terms, but she herself never attempted anything of the kind. Her novels are novels not of manners but of passions and the naked soul. Her characters- mostly the effusions of her own soul-are elemental figures acting in the backdrop of elemental nature. .u899ae328e6da58025bdb40bd8291de24 , .u899ae328e6da58025bdb40bd8291de24 .postImageUrl , .u899ae328e6da58025bdb40bd8291de24 .centered-text-area { min-height: 80px; position: relative; } .u899ae328e6da58025bdb40bd8291de24 , .u899ae328e6da58025bdb40bd8291de24:hover , .u899ae328e6da58025bdb40bd8291de24:visited , .u899ae328e6da58025bdb40bd8291de24:active { border:0!important; } .u899ae328e6da58025bdb40bd8291de24 .clearfix:after { content: ""; display: table; clear: both; } .u899ae328e6da58025bdb40bd8291de24 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u899ae328e6da58025bdb40bd8291de24:active , .u899ae328e6da58025bdb40bd8291de24:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u899ae328e6da58025bdb40bd8291de24 .centered-text-area { width: 100%; position: relative ; } .u899ae328e6da58025bdb40bd8291de24 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u899ae328e6da58025bdb40bd8291de24 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u899ae328e6da58025bdb40bd8291de24 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u899ae328e6da58025bdb40bd8291de24:hover .ctaButton { background-color: #34495E!important; } .u899ae328e6da58025bdb40bd8291de24 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u899ae328e6da58025bdb40bd8291de24 .u899ae328e6da58025bdb40bd8291de24-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u899ae328e6da58025bdb40bd8291de24:after { content: ""; display: block; clear: both; } READ: Elements of Poetry Handout EssayThe social paraphernalia is altogether dispensed with. Gone, says David Cecil, is the busy prosaic urban world with its complicated structure and its trivial motives, silenced the accentuate everyday chatter, vanished are newspapers, fashions, business houses, duchesses, footmen, and snobs. Instead the gale rages under the elemental sky, while indoors, their faces rugged in the fierce firelight, austere figures of no clearly defined class or period declare eternal love and hate to one another in phrases of stilted eloquence and staggering candor. According to Compton-Rickets three characteristics detach homeless from the writings of Charlott e Bronze. They are: (I) intimacy; the note of passion; and the note of revolt. The note of The note of intimacy is caused by the markedly autobiographic slant of her novels. The note of passion is struck by a lonely sensitive woman on behalf of another woman. Her point of view is specifically the point of view of a woman. Like Mrs.. Browning she effectually represents in her life and novels the pa woman whose Prince Charming is yet to come. She pictures and primeval woman A s regards the note of revolt, we must point o rebel by nature and a Puritan by training. She could not reconcile elements. Charlotte, says Compton-Rickets, had the soul of a p leashed in by a few realization conventions, and she is always the leash while upbraiding at herself for doing so. Though she appreciably, revolt against social conventions, she at least revolt prevailing conventions of the novel. Emily Bronze: Emily was a poet as well as a novelist, and her only novel wither as well as a- novel There is no other book. Says Leagues, which the-troubled, tumultuous, and rebellious elements of romantics than even Charlotte but her fierceness is strangely accompanied tropes of intuitive illumination. She looks like a Byron in petticoat rebel, but her rebelliousness is tempered by a sense of spiritual very few do, the Infinite passionate the pain of finite hearts that Withering Heights is a story of primal passions enacted amongst environment. Cath erine Earns in her wildness and beauty is Heathenish, with his consuming passion for Catherine and his flag revenge,looks like a character from an ancient Greek tragedy. Ca Heathenish from her grave has about it all the mystery of the hid the universe. Indeed, Walter Allen observes: The central fact ABA hat she is a mystic. Her mysticism lies not only in her handling dead Catherine calling Heathenish to her, but also in her use of sys other forms throughout the novel in expressions like the following Catherine: Newly, I am Heathenish If all else perished, and he ream continue to be: and if all else remained, and he were annihilated turn too mighty stranger: I should not seem a part of it. There Samuel C. Chew, that she was deeply read in adulterate of m equally no doubt that she was a mystic. This critic believes that in her youth, Emily had attained the mystical experience in its e Bronze in Shirley also refers to Shirley (Emails) visions and trans poems, too, Emily tries to give expression to her mystical expire one place she exclaims: Speak, God of visions, plead for me, And chosen thee. Mrs.. Seashell: Mrs.. Seashell had nothing of this passion and frustration of the B was the wife of a quiet Unitarian clergyman in Manchester-one centers of English industry. She was mother of seven children, a according to Walter Allen, what may be called the serenity of the accepted everything with the air of, what David Cecil calls, sere sense of humor and deep human sympathy are obvious manifest reentry. What distinguishes the novels of Mrs.. Seashell is her De consciousness combined with a compassionate observation of the Her novels divide themselves into two well-defined categories. (1 have novels like Mary Barton (1848) and North and South (1855) social and industrial problems arising out of the masters-workmen struggles which were a feature of the industrial age which had then Just got under way. Being herself a resident of Manchester, Mrs.. Seashell was a witness to the blessing of the Industrial Revolution. She pressed into service her personal observation of the tuition prevailing in the hungry forties. layman Barton the heroine who gives he name to the title is daughter of a workman who led by the fervor of trade unionism murders Henry Carson, a fiery master, after his wife and son are dead from starvation. The novel gives a realistic picture of the poverty of the working classes and their animus against their masters whose cruelty is, however, considerably exaggerated by Mrs.. Seashell. North and South is a realistic, thoughtful, and thought- provoking presentation of the conflicted raging between the industrial North and the feudal, agricultural South. (2) Secondly, we have novels like Crawford, Ruth, Wives and Daughters, Andalusias Lovers which eschew all industrial problems and are concerned with rural life and manners which Mrs.. Seashell knew so well, thanks to her long stay at Knutson with her aunt, before she settled at Manchester with her husband. Of all the novels of decorticates the best and the best known is Crawford which is a disguised name for her own Knutson. Crawford is a classic o its own kind. It portrays a world inhabited by women alone. These women belong to middle-class families, and their main occupation is gossip, tea-making, and tea- ringing. W. J. Long observes: The humanity, the keen observation, and the gentle humor with which the small affairs of a country village are described make Crawford one of the most delightful stories in the English language. In Ruth Mrs.. Seashell foreshadows the psychological novel of George Eliot. Wives understates is a social comedy, and contains the character of Cynthia Kirkpatrick-? one of the most striking young women in English fiction. Sylvia Lovers is a rather didactic story in a domestic setting. George Eliot: With George Eliot we come to the most philosophical of all the major Victorian violists, both female and male. Philosophy is both her strength and weakness as a novelist. It keeps her from falling into pathos or triviality, but at the same time gives her art an ultra serious and refl ective quality which makes it heavy reading. Even her humor-the faculty in which she doubtlessly is quite rich-has about it the quail of ponderous reflections. But often there are some aphoristic strokes which do tell-as the following: Animals are such agreeable friends, they ask no questions, the pass no criticisms. What a man wants in a wife mostly is to make sure of one fool galls tell him hes wise. Im not denying the women are foolish-God Almighty Madames to match the men. Im not one of those who see the cat in the dairy and wonder what shes come after. George Elites important novels are the following: The Mill on the Floss Dammed Ormolu Felix Holt Daniel Adorned Middleware. All of them are marked by extreme seriousness of purpose and execution. As Samuel C. Chew observes, in George Elites hands the novel was not primarily for entertainment but for the serious discussion of moral issues She is, indeed, too didactic and makes every incident a text for moralistic expatiation. She, says the critic Just quoted, inculcates the importance of being earnest: but the virtues so earnestly striven after-industry, self-restraint unconsciousness-are very drab; school-teachers virtues they have been unkindly called. In her novels we invariably meet with the clash of circumstances with the human will. She, indeed, believed that circumstances influenced character, but she did not show circumstances entirely determining character. A man called upon to choose between two women or a woman to choose between two men is the common leitmotif of her novels. She emphasizes the need for a moral choice uninfluenced by any selfish motives. She herself did not believe in any convent ional moral creed and lived with Less as his wife without marriage, in spite of the defamatory rebukes of her priggish contemporaries. But inspire of her frank agnosticism and contempt for strait- casketing traditionalism, she valued ethics both in her life and her work as a novelist. Another important feature of her novels is their very deep concern with human psychology. Her novels are all novels of character. She, says Compton-Rickets, was he first novelist to lay the stress wholly upon character rather than incident; to make her stones spiritual rather than physical dramas. In her characterization she displays both subtlety and variety. Her studies of the inner man, but more particularly the inner woman, are marvelous. She puts all the emphasis on the inside, very little on the outside. David Cecil observes in this connection: We do not remember her serious characters by their appearance or the way they talk, indeed we do not remember these things clearly at all. Her portraits are primarily portraits of the inner man. George Eliot excels at portraying the tragedy of unfulfilled female longings. She identifies herself with her chief female characters and unfolds their inner feelings with masterly strokes. Compton-Rickets points out: Magpies cry was for fuller life, Removals for ampler knowledge, Tracheas for larger opportunity, for doing good. These themes are dealt with by George Eliot with a striking psychological profundity which makes her a very worthy forerunner of the psychological novelists like Henry James. Let us conclude with David Cells words: She stands at the gateway between the old novel and the new, a massive caryatid, heavy of maintenance and uneasy of attitude, but noble, monumental, profoundly impressive. Novelists of the Early Victorian Period the early Victorian period the novel made a rapid progress. Novel-reading was one of the chief occupations of the educated public, and material had to be found for every taste. The result was that the scope of the novel, which during the eighteenth century dealt mainly with contemporary life and manners, was considerably enlarged. A number of brilliant novelists showed that it was possible to adapt the novel to almost all pur poses of literature whatsoever. In fact, if we want to understand this intellectually of the period.

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Get the Best Help from Our Quality Service â€Å"What is a food essay?† More often than not, we get students asking such a question. Are you expected to handle such a paper, and you don’t have an idea of where to start? It is not uncommon for students handling several courses to be assigned with essays that involve foods. Unfortunately, most of them are not aware of how they should craft these papers because they lack the skills necessary to come up with such type of essays. Besides, there are very few services that offer legit and quality help or guidelines on how to write a good food essay. If you’ve been assigned such a paper, and have no clue what to do, then make use of our service to understand the step-to-step process of creating such a paper. Besides, if you’re stuck and need our professional assistance, then look no further. Our service will gladly craft your paper for you. We have an expert writer capable of handling even your most complex papers. Reach out to us for the best help with yo ur assignments. The Ultimate Guideline on How to Write a Food Essay Food may seem like such a normal topic to write on. So, to most students, crafting a paper on it may seem so like something routine, usual and common. However, it may prove to be much far from being as easy as it appears at first glance. Someone might assume that handling such an essay would only take a few pages of mental wandering, and then you’re done. Unfortunately, it’s not that easy. For instance, what topics do you have at the back of your head that you can come up with immediately? Are you able to easily explain foods in your paper on a whole? That is exactly what we are referring to. It is important that you first do some serious thinking. It is important to be common and personal, and general and specific at the same time. From such a perspective, you must go through various samples to have an idea of what is expected of you. Another way is going the long and hard way, and learning how to do this by yourself which is critical if you know that you’re exp ected to complete such papers several times, and want to pass your assignments. Speaking of which, we will provide you with all the details of how to write a food essay step by step right here and right now! Crafting such a paper isn’t complicated. Just like any other paper, it follows various steps, a particular structure, and has to adhere to particular rules. The Steps on How to Start a Food Essay For you to learn how to begin a food essay, you need to be aware of several things. The most critical thing that you need to identify first is the topic that you’re handling. Of course, if your professor has already given you a clear task to handle a specific topic, then you don’t have to wreck your brains looking for something crucial and exciting that you can write on. You don’t have to worry about making a decision such as having to craft about the healthy foods that can be taken by people with diabetes or writing an argumentative paper about fast foods. In such a situation, you can relax, making use of several resources online, and start crafting your paper. However, if your professor hasn’t assigned you with a particular topic, you will have to go through several topic ideas and determine which topic is interesting and relevant. Having to choose freely can be rather slippery, so you need to be careful before settling on a topic. Take as much time need ed to come up with the topic because it will save you a lot of time while creating the paper. So, how do you come up with a relevant topic? Think about the most popular research topics concerning foods nowadays. What is it that we’re faced with in everyday life? What is commonly discussed on TV and radio regarding food? What affects us permanently? There is a high chance that you have a generalized idea of what to create in mind. Just look through several sources and identify how relevant that topic is. Once you’ve come up with the topic, conduct adequate research on it. What information can you find in online libraries, books, journals, etc.? Make sure to make use of relevant sources to craft your paper. Once you’ve determined the sources you will use for your document; you can create an outline that will guide you on how to craft the paper. Several Important Tips for Writing a Food Essay Below are several tips that can guide you while writing a food essay: Make sure to choose an interesting yet relevant topic. You have to be excited and fascinated about the topic that you choose to write Still, ensure that there is adequate information on it. Pay attention to the structure of a food essay. Just like any other paper, it has to contain an introduction, body and conclusion. The introduction is the initial paragraph that has to grab the reader’s attention and come up with a particular and debatable thesis statement. The body is important for proving your thesis and explaining your ideas. Finally, the conclusion should summarize the argument and explain the importance of the argument. Make sure to edit your paper properly. Be careful and attentive when crafting your paper, and double-check it too. If something doesn’t feel right or is in the wrong place, make sure to either place it in the right place or make it sound better. Pay attention to your conclusion. It is an important part of your text because you’re expected to summarise everything in a much shorter way, and some cases even deeper. It takes time and practice to master how to craft a good conclusion, but it is imperative to learn how to do so. 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Discussion Essay Example | Topics and Well Written Essays - 250 words - 96

Discussion - Essay Example Further, the author provides 7 strategic ways of ensuring professional leadership by maintaining a balanced EQ. These range from developing healthy escapism to preemptive measures in a bid to avoid indecision as a result of emotional instability. While Mulqueen concurs to psychological factors that catalyze emotional aggression and consequent indecisiveness, he maintains that these triggers can be well countered and resolved. His main remedy is to distract the mind from anger by focusing on situations that detract the escalating tension away (Mulqueen). In this feature, Frank Kalman discusses the benefits of planning ahead despite the uncertainties typical to the future. In his submissions, Kalman explains how one can come up with an educated guess by realistically considering each determinant factor. Whereas even the most informed predictions fail occasionally, having a good plan is far much wiser an initiative than lacking plans at all. As Kalman asserts, even senior leaders fail on their predictions from time to time and therefore do not expect their subordinates to make perfect predictions. All that is required is a well researched plan to ensure an organization maintains its focus on success (Kalman). The CLO Media.com is an essential resource centre for all business persons. Besides orienting its users on matters business and empowering many to make smart decisions, the site also features updated business news from around the world. The site’s subscribers enjoy free learning materials such as magazines, which provide detailed reports and articles including those cited in this essay. Another consumer benefit for CLO Media users is that article writers are usually experts in the fields they contribute

Population control Essay Example | Topics and Well Written Essays - 1500 words

Population control - Essay Example Theological reasons are also given birth control. But birth control is extremely necessary for sustainable long term growth of the world. It is not possible for the world to absorb great population pressure. The resources available are limited and they will deplete sooner or later. Also it is evident from highly populated countries what problems population increase can cause. In this essay we will give arguments in favor of population control. Arguments presented by the other side will also be put under scrutiny. After a thorough analysis it will be established that population control is essential for survival and prosperity. Population Control is Must The most obvious reason why population control should be advocated is that the natural resources of this world are limited. Water, land and minerals will not continue to serve this world for eternity. These resources and limited and increase in population will put more and more pressure on these natural reserves. We should fear the day when these reserves will end. What the world do that day? It is also important to understand that growth should be sustainable and should not be at the expense of nature (Tan, Wu-Meng, 2000). Also human made things like schools and hospitals are not growing at a great pace. With an upward population pressure these institutions will soon be not enough for the population. This will be the case all over the world if population control is opposed globally. The problems of population are evident in highly populated countries like India where poverty is very high (Tully, M. 2004). Children do not get education and food just because there are too many children. Parents cannot bear the burden of these children. These problems accompany when there is an increase in population. Another reason why population control is essential is that increasing demand hikes the prices up and then only some factions of population are able to afford goods. This can be seen in oil and food products. A decreas e in population will cause prices of these valuable commodities to go down. These commodities will also be then available for everyone. Population increase is directly responsible for increase in poverty. People who lack knowledge have a large number of kids and then they cannot support them with their income. Then their children also grow up and do the same. In this way generations and generations fall into the pitfalls of poverty and hunger. Education is not ubiquitous in developing countries and this is why population is increasing rapidly. Small families are also easy to manage. Parents can give time to their children when they have a small family. Children require attention and their up brining is mostly in the hand of parents. A lot of children can therefore reduce the time each child gets from parents. This is another reason why small families are advisable. In such a fast moving world time is valuable and parents will only be able to give sufficient time to their children if and only if they have small families. Population control can also increase the participation of women in workforce. Fewer children will mean that women will have more time to work and in this way productivity of the economy can be increased. More children will mean more time and energy on the part of mother and this will directly result in reduction of her productivity. Productivity of women should be increased because it will allow the economies of countries to expand. This can be achieved by

Understanding The Concept Of Depression Sociology Essay

Understanding The Concept Of Depression Sociology Essay A comparison of the social constructs of emotion in Asian and Western cultures shows that Asians are more prone to experience depression and suicidal behaviors than are Westerners. Studies highlighting the cultural similarities and differences in display rules, the emotion regulation norms, and the physical and emotional expression of depression in these two cultures are cited to support this claim. The Basic Emotion, Component, Appraisal, and Neo-Jamesian theories show that only elements from each provide a complete explanation of why Asians are predisposed to depression because of culture. The Social Constructionist Theory offers a thorough explanation of this phenomenon. The problems and possible remedies facing Asian cultures and the heightened risk of depression among its members are also addressed. Culture and the Understanding of the Concept of Depression Through numerous studies on cultural relativism and cultural categorization of emotion, emotion is shown to be, to a degree, contingent on cultural factors such as display rules, social roles, and culturally determined appraisals. The interpretation of depression eliciting stimuli and situations and expression of depression, in particular, is also influenced by these cultural factors. Furthermore, the social constructionist view of depression makes it possible to compare the concept of depression in Western and Asian cultures. The contrast between the relatively individualistic nature of Western cultures and the collective nature of Asian cultures, and their associated norms for emotion regulation, may offer differing perspectives of depression and therefore help form a cultural observation of depression within the two cultures. The cultural display rules, socially learned performances, and emotion regulation norms that guide the interpretation of and behavioral responses to depressi on in these cultures reveal that Asians are more prone to depression and suicidal behaviors than are Westerners. Cultural differences between Western and Asian cultures in individualism-collectivism (I-C), a dimension of cultural variability, show a strong possibility that Asians are predisposed to more negative emotions than are Westerners. Individualistic cultures, most of which are Western, promote individual needs, wishes, desires, and values over group and collective ones (Matsumoto, 1990). Consequently, hierarchical differences in status or power are minimized while equality is emphasized (Matsumoto, 1990). In contrast, collective cultures, many of which are Asian, promote the opposite; they stress the needs of a group, individuals identify themselves as members of a group, and ones social role is defined by an entrenched system of hierarchical differences and vertical relationships (Matsumoto, 1990). The I-C difference is also related to the social distinction between ingroups and outgroups (Matsumoto, 190). Members of individualistic cultures tend to display more negative emotions to in group members and more positive emotions to outgroup members. Conversely, members of collective cultures tend to display more positive emotions to members of ingroups and more negative emotions to those of outgroups (Matsumoto, 1990). These display rules should predispose Asians to more negative emotions, which may result in depression, at least in the social interactions with outgroups. Power distance, another dimension of cultural variability, which refers to cultural differences in status and power, is positively correlated to cultures that are more individualistic and negatively correlated to those that are more collective. This dimension may already show that Asian cultures foster more opportunities for the occurrence or passive harboring of negative emotions, while Western cultures seem to dissipate many of these potential risks. The importance of equality and the needs of the individual in Western cultures may make it less likely for people to experience depression on a large, societal scale. On the other hand, the vertical relationships encapsulated in collective cultures may make it more likely for people to acknowledge their differences from one another and any perceived inadequacies with those higher in power and status may contribute to the occurrence of depression. A Japanese-American comparison study by Matsumoto (1990) explored the relationship between I-C and PD cultures and the display rules of the members of those cultures. The study was conducted in two sessions; the first measured display rules through the subjects judgment of the appropriateness of displaying emotions in different situations, and the second measured how they judged the intensity of the same emotions. The results of the experiment supported the views that Japanese display rules made it appropriate to show negative emotions to outgroups and lower-status others while American display rules allowed people to express negative emotions more openly in ingroups (Matsumoto, 1990). In addition, Americans rated happiness in public and to outgroups as more appropriate than did Japanese. The Japanese display rules, indicative to some degree of Asian cultural display rules at large, show that in order to foster ingroup harmony and maintain the hierarchical differences in power and st atus, people find negative emotions to be appropriate when interacting with outgroups and lower-status others but not with ingroups and higher-status others. These display rules may reveal that Asian cultures are less tolerant than Western cultures of negative emotions in ingroups, which discourages them to express and share their negative emotions with their ingroups. A further finding from Matsumotos study suggests that although Asians may be more likely to express negative emotions to outgroups, they mask their negative feelings in the presence of others (Matsumoto, 1990). Overall, Asian cultures seem to discourage any expression of negative emotions whether with ingroups, outgroups, or those of different status. Emotion regulation norms for Asian and Western cultures also demonstrate a greater likelihood for depression among Asians than among Westerners. Since emotion regulation refers to the ability to manage and modify ones emotional reactions in order to achieve a desirable outcome, it reflects the different ways that culture tries to achieve social order (Matsumoto, Yoo, Nakagawa, 2005). Two aspects of emotion regulation, reappraisal-the way individuals appraise an emotion-eliciting situation to change its impact on the emotion-and suppression-the inhibition of emotional expressive behavior-can be used to compare Asian and Western cultures. Individualistic cultures are associated with more reappraisal and less suppression because these cultures value emotions and free expression more than collective cultures, which are associated with less reappraisal and more suppression in order to maintain ingroup cohesion and harmony (Matsumoto et al., 2005). Studies have linked emotion regulation t o different types of adjustment. Individuals high in reappraisal and low in suppression experienced more positive and less negative emotions, were more open in sharing their emotions with others, had better social support, were less depressed, and reported higher self-esteem, optimism, and life satisfaction; in essence, reappraisal has been associated with positive outcomes and suppression with negative emotions (Matsumoto et al., 2005). These conclusions can also be applied to individuals from Asian and Western cultures at large-Asians may feel more negative emotions, have less social support, and be more depressed than Westerners. Although suppression has been associated with negative consequences on the individual level, a study by Matsumoto et al. (2005) shows that it may have positive consequences on the social level. Suppression may play an important cultural function in organizing and maintaining cultural systems and groups. Thus, the social order is preserved at the expense of the emotional well-being of the individual. Part of their study, which held data about country-level emotion regulation, reveals that emotion regulation is positively correlated with both positive and negative indices of adjustment (Matsumoto et al., 2005). In other words, while individualism may promote high levels of both positive and negative adjustment because it values free, uninhibited emotional expression, collectivism may promote only either positive or negative adjustment. Despite the fact that suppression in collective cultures may lead to greater social harmony and a high level of positive adjustment, individuals may sti ll experience negative consequences. Therefore, while Asian countries and cultures may report a relatively positive adjustment for society in general, individuals themselves may report negative adjustment. This phenomenon may very well show that Asians who suffer from depression are stifled by cultural emotion regulation norms from receiving psychological or emotional help and support. The Social Constructionist Theory has helped define the social constructs of Asian cultures that make Asians more prone not only to negative emotions but also to social anxiety, a precursor to depression. Cultural display rules, social roles, and emotion regulation norms have effectively contributed to the predisposition of Asians to be more passive, non-assertive, and anxious in interpersonal situations than Westerners (Okazaki, Liu, Minn, 2002). The results from a study that examined differences between Asian American and White American on a trait measure of social anxiety and self-reports of anxiety-related emotions during a 3-min social performance task indicated that Asian Americans reported more anxiety than White Americans (Okazaki et al., 2002). Their data also revealed that some differences among Asian Americans of various ethnicities in their levels of social anxiety are related to their levels of acculturation. If there are indeed significant differences among Asian Ameri cans depending on their level of acculturation to American culture, they would be due to whether Asian Americans still prescribe to Asian social constructs of emotion. Although Asian Americans reported more social anxiety, they did not behave in an observably different manner than White Americans during the anxiety-provoking social task (Okazaki et al., 2002). In light of the emotion regulation norms that guide behavioral responses, both Asian Americans and Asians may be less willing to express any type of strong emotions, positive or negative, in front of people. This observation may support the view that Asians are exposed to social rules that increase the likelihood for anxiety, and subsequently depression, because those same rules prevent them sharing their emotional burdens with others. This culturally embedded formula for Asians to experience more social anxiety than Westerners is reinforced by culturally relevant risk factors for suicidal behaviors among Asian American youths. Asian American youths are at greater risk for suicide than majority group youths (i.e. White Americans and African Americans) because they experience risk factors that every youth experiences such as antisocial behaviors, substance abuse, and lack of familial stability, and those related to acculturation to the majority culture such as discrimination, alienation, and identity confusion (Lau, Jernewall, Zane, Myers, 2002). Asian American youths who fail to acculturate properly and develop an adaptive ethnic identity are prone to maladjustment, which entails life dissatisfaction, low self-esteem, pessimism, and depression. It is primarily the parents of Asian American youths that confound their efforts to acculturate and thus contribute to stress and frustration (Lau et al., 2002). Acculturat ion stress and intergenerational acculturation conflicts have been identified as factors that influence suicidal behaviors among Asian youths in Great Britain (Lau et al., 2002). A struggle between Western cultural norms and Asian cultural values can be seen in the parent-child conflicts of Asian American youths. A medical record abstraction at a mental health outpatient clinic identified correlates of suicidal behaviors in a sample of 285 Asian American youths (Lau et al., 2002). The records pointed out that adolescents were at the greatest risk for suicidal behaviors and were more prone to depression than were younger children. Consequently, depression was a strong predictor of suicidality as well (Lau et al., 2002). The data showed that youths who were less acculturated and experienced high parent-child conflict were at significantly greater risk than youths who were more acculturated and had lower conflict. Interestingly, youths who were diagnosed as suicidal displayed a higher number of internalizing symptoms and fewer externalizing symptoms (Lau et al., 2002). Perhaps the cultural sanctions against expression of negative emotions and the Asian cultural tendency to portray mental disorders as shameful and the tendency to downplay such disorders as temporary emotional states that do not r equire treatment, medical or otherwise, contribute to the prevalence of suicidal behavior among Asian American youths (Lau et al., 2002). Asian Americans as a whole, including both youths and adults, have had their mental health needs neglected by United States federal mental health policies (Nagayama Hall, Yee, 2012). This neglect is perpetuated in part by the three myths about Asian Americans: they are a small group; they are a successful group and do not have any financial or cultural problems; and they do not experience mental health disparities (Nagayama Hall, Yee, 2012). Although many, especially White Americans and the government, see Asian Americans as the model minority, they are not by any means exempt from problems surrounding their social and cultural position in the United States. The first myth is debunked by data from the U.S. Bureau of the Census showing that Asian Americans are proportionally the fastest growing ethnic group in the U.S. The second myth can be disproven by the sheer fact that not all Asian Americans receive the same education and opportunities to advance in society. Some groups have l ess education, greater unemployment, and higher poverty than others (Nagayama Hall, Yee, 2012). Moreover, even Asian Americans who are successful by educational, employment, and income standards encounter problems associated with their ethnicity. The stress of acculturation contributes to the occurrence of mental health disorders such as depression and anxiety disorders. Their overall success in integrating with American culture belies the reality that many experience mental health disparities due to clashing cultural values and display rules; as a result, this conflict and the neglect of their mental health needs predispose them to an increased risk of depressive symptoms and behaviors and (Nagayama Hall, Yee, 2012). A specific look into the avoidance of mental therapy in South Korea further strengthens the argument that Asian cultures foster societies in which Asians are more likely to experience depression and less likely to seek help for it. Academic and corporate pressures contribute to an alarming rate of stress and suicide among South Koreans (Kim, Won, Liu, Liu, Kitanishi, 1997). Many Koreans, however, largely resisted Western psychotherapy for their growing anxieties, depression, and stress. The Buddhist and Confucian values that dictate much of South Korean society emphasize stoicism and modesty while subordinating individual problems and concerns to the good of society. In line with these ethics is preservation of face, or dignity for the family (Kim et al., 1997). If they do seek help, Koreans are compromising the dignity of their families by indirectly stating that they need mental therapy because their families are at fault. Koreans decide not to seek professional psychotherapy or c ounseling because the culture considers open expression of emotional problems as taboo. Thus, many Koreans forgo mental help and cope with their problems on their own (Kim et al., 1997). However, the suicide rate has doubled in Korea between 1999 and 2009 and it may continue to grow if Koreans do not seek therapy or some form of counseling to cope with depression and stress (Kim et al., 1997). The problem of depression in Korea is mirrored in other East Asian cultures perhaps because they all share the same cultural prohibition of expressing negative emotions to both ingroups and outgroups and the view that depression is not a serious mental health problem. A dangerous threat that can result from ignoring cases of depression and when individuals neglect or are incapable of seeking mental aid is a rising suicide rate. China, India, and Japan accounted for more than 40% of all world suicides in 2006 (Beautrais, 2006). Surprisingly then, although many Asian cultures believe that suicide is a source of personal and family shame, much of the worlds reported suicides occur in Asian countries. Problems of underreporting cases of suicides and suicide attempts such as inaccuracy of reports, prohibitions against the collection of suicide data, and the stigmatization of suicide make it difficult to assess the true numbers of suicides that occur in Asian countries. Nevertheless, limitations aside, there is still an alarming number of suicides that take place in Asian countries every year. As in Western countries, mental illness is strongly correlated with suicide in Asian countries (Beautrais, 2006). Indeed, many of the life stresses that cause dep ression-poverty and marital, family, and relationships problems-are equally shared by Asian and Western countries. However, some cultural, historical, and contextual features of suicidal behavior in Asia may show that life stresses may more often lead to suicide than in the West (Beautrais, 2006). The struggles of young rural families involving early marriage, low social status, and lack of personal autonomy; economic stresses for Asian businessmen who are pressured to work long hours and drink away their stress; and academic stresses for adolescents in Japan and Korea who compete for admission to prestigious schools may invariably lead to suicide. Not only do the societal conditions in which Asians live may engender more cases of depression and suicide, but also the social constructs of emotion particular to Asian cultures. While the Social Constructionist Theory argues that social roles, emotion regulation norms, and cultural display rules explain why Asians may be more prone to depression than Westerners, appraisal theories help highlight the role of appraisal as interpretations of emotion-eliciting situations in this phenomenon. Appraisal, which is involved in reappraisal in emotion regulation, is defined as the evaluation of an event. Appraisal, therefore, plays a significant role in emotion regulation because it allows an individual to interpret a situation as positive or negative, thereby influencing the emotion felt. Whereas in Asian cultures, appraisal is framed by values that promote embeddedness, power distance, and hierarchy, in Western cultures, appraisal is perceived through values that promote individualism, egalitarianism, and affective autonomy (Matsumoto et al., 2005). Asian cultures assess appraisal through the collective mind, or through the socially desirable outcomes of ingroup harm ony and maintenance of power distance. Therefore, Asians may tend to appraise situations as positive or negative depending on the goals of their societies. However, because Asians may appraise emotional situations under the context of social values, they may run the risk of both diminishing positive emotions and exaggerating the negative emotions for the individual. For example, if an Asian youth receives a relatively poor grade based on his parents standards, he may ignore the fact that although he did not please his parents, he scored the highest out of his class. Nonetheless, the youth appraises the situation negatively because he places the needs of the group (his family) ahead of his individual needs and concerns. In contrast, a Western youth may appraise the situation differently, seeing his performance as satisfactory and thereby feeling happier and less stressed. Appraisal theories are thus contingent on the social goals and values pertaining to culture. Component theories further elaborate how components that lead to depression occur more often in Asian cultures than in Western cultures. In addition to appraisal, subjective feeling, action readiness, expression, and instrumental behavior are all emotion components that help construct an emotion. Through Ortony and Turners conclusion that emotion components are dissociable elements and the results of the study by Okazaki et al., (2002), we can see that depression is caused by various components that by their own may not be indicative of the emotion. Asian cultures define these components in relation to social order and harmony, once again subordinating the needs and desires of the individual to those of society. Naturally, appraisals and behaviors that reflect restraint and inhibition of expressing negative emotions are more prevalent and readily used in Asian cultures. However, even if one were to experience components of depression, the full manifestation of the emotion may not occ ur because depression and other mental health disorders are looked down upon in Asian cultures (Beautrais, 2006). The individual would likely associate an experience of depression, despite having all the components that form depression, with a general negative emotion that can be overcome by sheer willpower or other non-professional therapy; in addition, the individual can choose to ignore one or several components of depression to deny that they are depressed. Unfortunately, component theories, like appraisal theories, do not offer a full explanation of why Asians may be predisposed to depression because they do not ensure the full manifestation of depression. The Basic Emotions Theory may support the universality of depression, but does not explain why or how Asians are more prone to experiencing it. The study on social-anxiety for Asian Americans and White Americans by Okazaki et al., (2002) showed that facial expression is not a primary or even reliable indicator of emotion. Likewise, another study exhibiting display rules in Japanese and American subjects showed that while the Japanese felt the same emotions as the Americans, they did not show negative emotions to strangers (Matsumoto, 1990). Facial expressions of emotion are but one part of socially defined components that generate an emotion. Depression is interpreted differently by Asian cultures than it is by Western cultures due to differing social values and roles (Beautrais, 2006). Moreover, the expression of depression is inevitably different for Asian cultures and Western cultures because of cultural display rules. In short, the Basic Emotions Theory merely states that depress ion exists, but not to what degree individuals in different cultures experience it. There is a link between the Neo-Jamesian Psychophysiological Perspective and a study by Arnault Kim (2008) that shows that Japanese and Korean women had higher somatic distress and depression than American women. The results of the study showed that there were certain somatic distress symptoms unique to depression among the Asian women: gastric and abdominal upset, weakness, dizziness, aches and pains, and palpitations (Arnault Kim, 2008). Through a comparison with American women, Japanese and Korean women were found to experience culturally-specific somatic symptoms. This finding supports the psychophysiological perspective that each emotion has its own pattern or signature of bodily changes. Therefore, according to this perspective, depression should also have its own unique signature of bodily changes. Although the study may support the claim that emotions are equivalent to physiological changes or can be purely defined by them, it also showed that the somatic symptoms felt by t he women were culturally-specific. American women would not be able to experience the same symptoms as the Asian women did, and they would probably not label their symptoms collectively as depression. Furthermore, the Japanese and Korean women used an idiom of distress used to describe their symptoms that highlighted the importance of cultural values and beliefs. The Social Constructionist Theory is, therefore, the best theory illustrating how Asians are more prone to depression and suicidal behaviors than are Westerners. It encompasses elements from the Appraisal theory, Component theory, Basic Emotions theory, and Neo-Jamesian Psychophysiological Perspective. Emotion components that form the emotion of depression are all influenced by the social norms of a particular culture. Asian cultures, which value embeddedness, power distance, and hierarchy, evaluate emotion components and somatic symptoms according to these cultural orientations. On the other hand, Western cultures evaluate emotion components and physiological symptoms according to individualism, egalitarianism, and affective autonomy. The culturally specific evaluations of Asian cultures increase the likelihood of people experiencing depression than in Western cultures. The downplay of negative emotions may also reveal that in Asian cultures, negative emotions are relatively hypo-co gnized concepts, emotion concepts that are not so thoroughly mapped out in a cultures emotion lexicon. Nonetheless, the expression of negative emotions is confounded and inhibited by a cultural reluctance to acknowledge that people have mental health problems. Socially learned performances, syndromes, and language all contribute to create a high disposition for depression in Asian cultures. While Asian and Western cultures seem to be the primary culture groups in the world, we can observe similar cultures such as that of the Utku if we focus on the more fundamental I-C dimension of cultural variability. The Utku society shares more values and traits with collective Asian cultures than with individualistic Western cultures. The Utku value ingroup harmony over individual needs and desires, which have the potential to disrupt society. Parents show affection to their children up until a certain age around 3 and 4 years old, in order to assimilate them into the larger social context of society (Briggs, 1970). Adults expect children to eventually abandon their childish, selfish ways and adopt a communal mindset of equal distribution of food and goods. In order to maintain their social harmony, the Utku try not to exhibit anger, which would be detrimental to the carefully monitored society by causing conflict and breaking relationship ties. In their efforts to avoid anger, they have effectively made it a hypo-cognized concept, indirectly doing away with one of the precursors to depression. Because none of the Utku claim to be angry and no one can observe any signs of anger, the Utku may not even experience depression. By eliminating not only anger but also negative emotions in general, the Utku may only perceive positive emotions. Unlike other collective cultures like Asian cultures, the Utku have a relatively limited and simple emotion vocabulary and thus may not even consider depression to be an emotion concept, much less experience it. While studies on cultural display rules and emotion regulation norms suggest that individuals in collective cultures are more prone to negative emotions, this does not seem to be the case for individuals in Utku society. The only possible instances where depression may have occurred, in Raigili and Saaraks sullen moods when their mother no longer carries them, do not guarantee that the children felt depression (Briggs, 1970). Even if they felt sadness, it would have been construed and interpreted through social values; they experience emotions through the context of their society. In essence, the Utku reveal one exception to the commonly held view that individuals in collective cultures are more prone to depression. The comparison of Asian and Western cultures and their disposition for depression brings up a problem of the immutability of culture. If Asians are truly more prone to depression because of culture, then how do we rectify this problem, if there even is a solution save the complete upheaval of deeply entrenched social norms and values? Even with the evidence citing that Asians experience more depression and are at greater risk of suicidal behaviors than are Westerners in America and in their native countries, the global rates of suicide in Asia seem to increase every year. The medical findings can be a starting point to influence government health, economic, and educational policies to change or perhaps sway cultural values. While the thought of completely or irreversibly altering a cultures values and beliefs is not only near impossible but controversial, government and public awareness of depression and suicide may help decline the rampant number of suicides that occur in Asia. Ther e is an important distinction to be made between countries and cultures-countries may comprise of one or several cultures, and conversely, a culture is not indicative of any countrys beliefs or values (Matsumoto et al., 2005). Changes in other dimensions like international politics have translated into changes in public sentiment and even cultural values. There is a great possibility for governments of collective cultures to perhaps assuage the dangers of emotion suppression and allow for more open and free expression of emotion. They can also try to establish medical and mental health institutions that allow people to meet with psychiatrists privately to prevent the patient from any associated familial or individual shame for having depression. The medical records of Asian American outpatient youths and U.S. mental health policies that neglect the special needs of Asian Americans can help direct attention to the increased likelihood among Asian Americans to feel depression. The transcultural study by Kim et al., (1997) showed that even Asian students have developed coping methods to deal with stressful events. Health reforms that pair Asian patients with those of same ethnicities may alleviate any barriers to full expression of emotion and provide a chance to better diagnose and remedy depressive symptoms among low acculturated Asian Americans or immigrants. An observation that American psychiatry should be more sensitive to the relationship between the mind/emotions and the body would also help assess and treat Asian patients who experience depression and stress (Arnault Kim, 2008). Programs to help Asian immigrants to become acculturated with American or Western culture may dissipate any tension between Asian values and Western values. Understanding of emotion concepts across Asian and Western cultures could also be more easily facilitated through these acculturation programs. These civil policies and other measures may make it easier for Asian Americans to adopt American or Western culture while at the same time not relinquishing their native Asian cultures. This process of integration would ensure that they do not lose their cultural identities but rather focus on the values and emotion constructs that promote emotional well-being and health. Although Western cultures seems to be a better culture in terms of emotional expression and general individual well-being, it is far from perfect and may even be worse than Asian cultures in maintaining social order. Cultures all share the desire for social order (Matsumoto et al., 2005). Western cultures seem to promote this relatively well by emphasizing individualism, egalitarianism, and affective autonomy. Individualism ensures that the needs of the individual are met and attention and care is given to the individual who has problems. Egalitarianism promotes the idea that everyone, regardless of any actual differences in power or status, sho